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Karl Briullov A Rendevouz in constantinople oil painting


A Rendevouz in constantinople
Painting ID::  39571
Karl Briullov
A Rendevouz in constantinople
mk149 1837-40 Watercolour and black chalk,Heightened with lacquer on paper 33.6x27cm

   
   
     

Karl Briullov Midday in a Caravanserai oil painting


Midday in a Caravanserai
Painting ID::  39572
Karl Briullov
Midday in a Caravanserai
mk149 1835 Sepia and lead pencil on paper 32.5x28cm

   
   
     

Karl Briullov Love Scene in a park oil painting


Love Scene in a park
Painting ID::  39573
Karl Briullov
Love Scene in a park
mk149 1847-49 Sepia on paper 22x17.5cm

   
   
     

Karl Briullov St John the Divine oil painting


St John the Divine
Painting ID::  39574
Karl Briullov
St John the Divine
mk149 1843-47 Oil on canvas 53x42cm

   
   
     

Karl Briullov The Evangelist Mark oil painting


The Evangelist Mark
Painting ID::  39575
Karl Briullov
The Evangelist Mark
mk149 1843-47 Oil on canvas 35x48cm

   
   
     

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     Karl Briullov
     Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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